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CornellNYC Chooses Its Architect

After a competition that included some of the world’s most prominent architects, Thom Mayne of the  firm Morphosis has been selected to design the first academic building for Cornell University’s high-tech graduate school campus on Roosevelt Island in New York City. 

“The goal here is to develop a one-of-a-kind institution,” Mr. Mayne said in an interview at his New York office. (Morphosis also has an office in Los Angeles.) “It’s got to start from rethinking — innovating — an environment.”

The building will get extra attention as the first part of an engineering and applied-science campus charged by Mayor Michael R. Bloomberg with spurring New York City’s high-tech sector. It needs to embody the latest in environmental advances and to incorporate the increasingly social nature of learning today by creating ample spaces for people to interact. And to succeed, Mr. Mayne said, it must visually connect to the rest of the city, because its setting is surrounded by water.

Mr. Mayne has grappled with academic buildings before, perhaps most notably one for the Cooper Union for the Advancement of Science and Art in the East Village, completed in 2009, whose concave facade is clad in a perforated metal screen and punctuated by a vertical gash.

Mr. Mayne said the Cornell project presented an opportunity to contemplate what an academic building should look like in the information age. Should it have the bullpen environments of tech start-ups or the more cloistered layout of established universities? How should it use space to foster collaboration while also carving out areas for quiet reflection?

“There is no modern prototype for a campus,” Mr. Mayne said. “You have to have a completely different model which has to do with transparency and exposing social connectivity and breaking down the Balkanization that happens departmentally.”

There are no snazzy architectural images yet, nor can Mr. Mayne speculate about what shape the building will take or what materials he might use. “I haven’t even seen the site plan yet,” he said. The only certainty is that Mr. Mayne will not inaugurate Cornell’s new campus by designing some kind of ivory tower.

“I like being able to tell you that I don’t have any bloody idea what it’s going to look like,” he said.

Daniel P. Huttenlocher, dean of the new campus, to be called CornellNYC Tech, and a Cornell vice provost, said that as a computer scientist, he was “very sympathetic to the form-follows-function view of the world” and that he was “heartened by an architect who doesn’t want to get too caught up in the form too early in the process.”

At the same time, Cornell is in a hurry, having pledged to have classes up and running by September in leased space in Manhattan (location to be announced). The Mayne building is expected to break ground in 2014 and to be completed by the start of the 2017 academic year.

Mr. Mayne’s building is part of a campus that will be developed over two decades. The campus will comprise more than two million square feet of building space at a cost of over $2 billion and will serve more than 2,000 students. It will include three academic buildings; three residential buildings; three buildings for research and development; and a hotel and conference center.

In December Cornell, in partnership with the Technion-Israel Institute of Technology, won the yearlong competition to build the campus, beating teams that included one from Stanford University and City College of New York.

The master plan is being designed by Skidmore, Owings & Merrill, which was among the six finalists for the Cornell campus. The others were Rem Koolhaas’s Office for Metropolitan Architecture, Diller Scofidio & Renfro, Steven Holl Architects and Bohlin Cywinski Jackson.

Mr. Mayne’s 150,000-square-foot building is expected to cost about $150 million, Mr. Huttenlocher said, which will be covered by a $350 million gift through an alumnus. The city is providing $100 million in infrastructure improvements, as well as the land on Roosevelt Island, currently occupied by a little-used hospital. The new building will include classrooms, laboratories, offices and meeting space.

Morphosis was chosen partly because of its track record of completing projects on time and at a reasonable cost, Mr. Huttenlocher said. “We can’t afford for the budget to be something that balloons out of control,” he added.

The campus is designed to bring academic and private-sector research and development together to speed the translation of academic work into usable products and services.

Mr. Mayne said he would start by talking with the engineering firm Arup about how to design a building with zero-net energy consumption that will use and produce geothermal and solar power.

While the building’s design should be arresting, Mr. Huttenlocher said it also must satisfy its tech-savvy generation of users, who will adapt the space to their needs if it fails to suit them.

“If the building didn’t function well, I think it would get hacked to pieces,” Mr. Huttenlocher said. He added that Cornell liked Morphosis’s “ability to create iconic structures whose form does not obscure or impede its program.”

Mr. Mayne said he designed spaces that were meant to be personalized and “not in any way pristine.”

Morphosis tries to create spaces that allow work to happen in the most effective way possible, Mr. Mayne said. “After that,” he added, “we should stay out of the way.”

Source: NYT

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SFMOMA chooses architect for $250-million expansion: Norwegian firm Snøhetta

Snøhetta's Norwegian National Opera and Ballet in Oslo

Can an art museum in this economic climate raise $480 million for an ambitious expansion and endowment campaign without a world famous architect like Frank Gehry or Renzo Piano attached to the project?

SFMOMA has just placed a very big bet that it can, by selecting the critically acclaimed but not so commonly known Oslo-based firm Snøhetta — named after a mountain in Norway — as the architect for its large-scale renovation and expansion. The museum’s board of trustees approved the selection on Wednesday; an official announcement is expected Thursday.

The decision was not a complete surprise, as SFMOMA named Snøhetta in a shortlist released in May of four firms officially under consideration, which also included Adjaye Associates, Diller Scofidio + Renfro and, most established of all, Foster + Partners. But, as SFMOMA Director Neal Benezra admits, Snøhetta is “not terribly well known in our country, and especially not in the West.”

Though Snøhetta has other buildings in development in the U.S., including the National September 11th Memorial Museum entry pavilion at the World Trade Center site in New York, SFMOMA promises to be the firm’s first building on the West Coast.

Reached by phone Wednesday evening, Benezra said a visit made by several trustees to Oslo, part of a grand tour this summer to meet the four finalists and see some of their realized buildings, played a decisive role.

He said the museum’s selection committee was bowled over by Snøhetta’s Norwegian National Opera and Ballet in Oslo (pictured above), as was he. “When I saw it for the first time, it reminded me of Bilbao — it has that kind of impact,” Benezra said.

“Not only is it a fantastic concept, but it’s also a model of engagement, with people walking inside and outside and on top of the building. And that is what we need: a building of great imagination and excitement that works on a practical level in a specific urban context.”

He also praised the collaborative nature of the firm, which was founded in 1989…more.

For full article click here.

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The High Line Park opened in NYC on June 8, 2009

High Line Park Website

Highline

Get here and walk the High Line Park as soon as you can.  It’s outragous and fantastic all at once.  For everything you want to know about the Park visit the High Line Website

The High Line design team is led by landscape architecture and urban design firm James Corner Field Operations with architecture firm Diller Scofidio + Renfro.

James Corner Field Operations (Design Lead)
Principal-in-Charge: James Corner
Lead Project Designers: Lisa Tziona Switkin, Nahyun Hwang
Project Team: Sierra Bainbridge, Tom Jost, Danilo Martic, Tatiana von Preussen, Maura Rockcastle, Tom Ryan, Lara Shihab-Eldin, Heeyeun Yoon, Hong Zhou
View Web site

Diller Scofidio + Renfro
Partners: Elizabeth Diller, Ricardo Scofidio, Charles Renfro
Project Designer: Matthew Johnson
Project Team: Robert Condon, Tobias Hegemann, Gaspar Libedinsky, Jeremy Linzee, Miles Nelligan, Dan Sakai
View Web site

For a complete design team list click here

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