The architect Rem Koolhaas and his Office for Metropolitan Architecture (OMA) are the forces behind some of the most striking structures built in recent years, including the Seattle Central Library and the CCTV headquarters, in Beijing.

The new MOCA (www.mocacleveland.org)

But dozens of architects who were trained at or otherwise passed through Koolhaas’s firm are now spread across the world and beginning to make their mark, observes Metropolis. The magazine dubs them Baby Rems.

The Museum of Contemporary Art, Cleveland, for example, is moving ahead with construction of a striking new building, which features triangular facades that, from certain angles, allow luminescent peeks at the museum’s interior. It’s the handiwork of Foreign Office Architects (FOA), an OMA offshoot.

The Balancing Barn, which has been feted in England (and lives up to its name, cantilevering off into space), is a project of MVRDV, which also traces its roots back to Koolhaas’s office.

Metropolis’s generational schema confuses me—who counts as Generation One, again, and who as Generation Two?—but Work A.C., evidently part of the second wave, has gotten the nod to revitalize the Hua Qiang Bei Road, in Shenzhen, China; the renderings look pretty wild, and also impressive.

All this amounts to another reminder that even architecture, long considered the redoubt of the lone genius (see: Ayn Rand), is in fact better viewed as a shifting network of creative minds with personal, professional, and intellectual ties: a Kaleidoscopic Discovery Engine.

Hat tip to Christopher Shea, WSJ