It’s All About Gaudi…

As you are climbing uphill; what seems like a continuous climb throughout the many hills of Parc Guell, you bravely steel a glance or two downwards and think that this is it.  This must be one of the more beautiful experiences of your life.  Gingerly you take each step with your camera in hand, careful not to drop the camera or anything else as you find yourself looking at, well, everything.  It’s an overwhelming experience, and in a good way.  Earlier in the year, my dad passed away, thereby making this my first vacation in a decade where I did not suffer from any family distractions.  No worries, but did I ever miss him!  I still do.  But it was one less thing to ponder as I was transversing uneven stone steps with nary a handrail in sight.  But I was just starting to speak of the beauty about this park, a must-see for anyone who travels to Barcelona, when I hit a few detours.  Count Guell was a prominent businessman in Barcelona at the early part of the last century.  He engaged a prominent architect, Antoni Gaudi, to design a garden city with sixty houses on a hill called Montana Pelada.  The venture was not successful and only two houses were built.  But an unsuccessful venture led way to one of the more beautiful parks you will ever see.  At the entrance, you will find the main staircase with a dragon fountain made of broken bits of glazed ceramic tile, a signature style for Gaudi.  This leads to the Salon of a Hundred Columns which really number eighty-four, but who cares?  The ceiling of the salon has more tiled mosaics.  In fact, they’re everywhere in sight.  The on-site museum contains splendid furniture that Gaudi designed.  And so it goes; you’ve walked for three hours, and have a big smile on your face.  You can’t wait to tell the story to all you know.

You’ve planned a week in Barcelona because you are wise and know that you will not be bored for a second.  You will want to come back.  As you continue drinking in the various Gaudi shrines throughout this beautiful city, you get to understand a bit more about the architect with each building.  Casa Batllo is truly amazing and I would suggest to go early in the day to avoid crowds.  The details on the doorknobs and locks; the center court and other means of ventilation were ahead of their time.  The rooftop dragon is not to be believed.  Next up is Casa Mila, his iconic monument to the Modernist movement.  It does not seem very livable, but once again, it’s all in the details.  The Sagrada Familia is no problem for anyone familiar with waiting on lines at Disney.  Wear comfortable shoes!  If you are able to go to the top of the towers, then you are lucky for you will view this beautiful city in the most unique way and it is breathtaking.

Okay, I lied.  It’s not all about Gaudi.  It’s also about the food.  As I’m re-reading my diary, the secondary descriptions that do constant battle with architecture are of the fantastic food.  As I read about the various meals of fish, meats and risotto, my mouth waters and I desire to savor them all over again.  Since we are incapable of dining at 10:00 PM, we chose instead to have our main meals of the day at lunch and have a more casual al fresco experience in the evening.

I lied some more.  It’s all about the walk.  Ever since I was twenty and I traveled to San Francisco with friends, I have always made note of how compatible I am with the place I am visiting.  San Francisco was fine but I quickly realized I couldn’t live with Californians.  In Barcelona, at some point we stopped and thought, “could I live here?”  Yes was the answer.  It is walkable; it is friendly; it is safe and clean; it is modern; it is old.  Barcelona is ideal.  The week was brimming over with a travelogue of lists consisting of everywhere we ambled and places we didn’t quite get to at this time.  Maybe, next time?  Because there was so much good stuff that really good architects had the sense to design and get built all in walking distance of each other.  More Gaudi, so much to see in the Gothic Quarter as you walk past what is left of a Roman aqueduct, the Picasso Museum and the Palau de la Musica Catalana (a music hall with a gorgeous stained glass ceiling).  And then there’s Gehry’s Fish.  Barcelona’s golden fish sculpture sits in Port Olimpic at the base of one of the tallest buildings in the city.  Frank Gehry was commissioned to build the piece for the 1992 Summer Olympics and brought the city to the attention of the world!  Wow!

These New Flood-Proof Buildings Designed by Garrison Architects Are Built To Survive New York’s Next Hurricane

After Sandy, the lifeguard stations on New York’s beaches were destroyed. But these new versions are built to withstand a storm–and might be a model for how to think about building better for the future.

Garrison Architects has created a plan to introduce net-zero energy, flood-resistant, modular structures along the beaches of Coney Island, Staten Island, and Rockaway Beach

Jim Garrison is a busy man. Just before Christmas, his architecture firm got a call from New York City officials asking if he could design and build nearly 50 lifeguard stations and other beach structures to replace the ones wiped out by Sandy. The one catch: The new units needed to open to the public in five months, on Memorial Day weekend, the symbolic start to summer.

The new structures will be constructed in a factory offsite, and later installed into site-specific support structures and access ramps on the beaches. Relying on quick-to-install modular structures in the future might serve as the foundation for the reconstruction of whole neighborhoods (as opposed to throwaway, temporary trailers).

When Garrison Architects needed shop drawings done so the contractor could begin fabrication, they called Consulting For Architects (CFA) to find them an architect to execute the drawings.  “Within 24-hours, we closed the deal with Garrison Architects and a talented CFA Consultant who started this week.” stated CFA owner David McFadden.

Since then, “it’s been a wild ride,” Garrison told me over the phone on Tuesday. After 40 days worth of 16-hour planning sessions, Garrison Architects emerged with a plan to introduce net-zero energy, flood-resistant, modular structures along the beaches of Coney Island, Staten Island, and Rockaway Beach. He says his designs are not only economical and aesthetically interesting– but could help lay new groundwork for the way that cities respond to climate change-related disasters in the future, by relying on quick-to-install modular structures that serve as the foundation for the reconstruction of whole neighborhoods (as opposed to throwaway, temporary trailers).

Better lifeguard stations are nice, but their design could also help lay new groundwork for the way that cities respond to climate change-related disasters in the future

He says the initiative is the first time he can think of that any American city is “confronting the reality of starting to build infrastructure that can deal with these enormous storms and can live beyond them.”

Garrison’s designs for new lifeguard stations, comfort stations, and beach offices include a number of features that make them both flood-resistant and sustainable: they’re elevated above the new FEMA storm surge numbers, and they rely on photovoltaics, solar hot water heating, and skylight ventilators as part of a net-zero energy system. The wood siding was salvaged from boardwalks wiped out by Sandy.

The project also involves relandscaping the beaches, reintroducing dunes in certain places to help protect the shore, and eliminating boardwalks. “The waves basically just roll under [boardwalks] and sometimes take them away with them,” Garrison says.

The new structures will be constructed in a factory offsite, and later installed into site-specific support structures and access ramps on the beaches. According to a briefing by Garrison’s firm, “New York has only a handful of modular buildings, such as low-income trailer housing or modular classrooms, most of which essentially qualify as manufactured boxes on chassis, not unique designs. Our modules are a premier example of cutting edge modular building practices and sustainable design solutions for the future.”

The new buildings are elevated above the new FEMA storm surge numbers, and they rely on photovoltaics, solar hot water heating, and skylight ventilators as part of a net-zero energy system. The wood siding was salvaged from boardwalks wiped out by Sandy

What’s perhaps more impressive than the speed of the design is the way the city’s bureaucracy got out of the way to let the project unfold under tight deadlines. “I’ve never seen anything like it on [the city’s] part,” Garrison says (and he’s been designing buildings in New York for more than three decades).

Garrison hopes that the project serves as a model for disaster rebuilding efforts in the future, when it’s possible that Sandy-strength storms will be the norm. “Next time it hits, can we mobilize [modular design] as disaster housing? And I mean good stuff–not FEMA trailers that make people sick, stuff people can really live in for the long term?” Garrison wonders. “This is a way to build in an era of congestion, ecological challenges, and the need for permanence.”

Credit Zak Stone
Zak Stone is a staff writer at Co.Exist and a co-founder of Tomorrow Magazine.

Pentagram: new york city’s redesigned parking signs

All I can say is did we really need to do this?

New sign design by pentagram

Full article via design boom

In China, an underground luxury hotel

While many architects and engineers have been vying to construct the world’s tallest tower, a group in China has looked to build in the opposite direction.

Construction began last month on Shanghai’s first “groundscraper”—a structure built almost completely below the surface. The massive project will eventually take form as the InterContinental Shimao Shanghai Wonderland, a 19-story, 380-room luxury hotel surrounded by a 428,000 square-meter theme park.

The hotel broke ground about 30 miles from the city of Shanghai in an abandoned quarry at the foot of Tianmashan Mountain. The building, located in the district of Songjiang, will be grafted onto the side of the quarry with 16 floors descending down and three floors resting above the crater.

Just as the top levels of a skyscraper are often filled with elegant restaurants and the most luxurious of rooms, the bottom two floors of the groundscraper will include an underwater restaurant, an athletic complex for water sports and 10-meter deep aquarium.

The quarry’s surrounding cliffs will be used for extreme sports like bungee jumping and rock climbing.

The project’s developers at the Shimao Property Group worked with British engineering firm Atkins to bring the idea to fruition and expect to near completion in late 2014 or early 2015.

The theme park and hotel are expected to cost at least $555 million and nightly room rates should start at approximately $320.

Existing quarry

Source

The Taiwan Tower Twin Syscraper

The Big Dig

The Big Dig by Topotek1, at the Xi’an International Horticultural Expo. All Photos: Geng Wang

You were seven, it was summer, and you were bored to tears. Somehow you got the idea in your head that you could dig a tunnel to China. You grab a spade or shovel (of hard plastic) and begin to dig. You’re determined, and nothing—not the limitations of your physical strength, hunger, networks of piping, dangerous levels of air pressure, lack of oxygen, the earth’s molten core, or, if you managed to get past all that, the fact that you’d end up in the middle of the Indian Ocean and should have started in Argentina—will keep you from digging. But after 30 minutes, but what seems like hours, night fall or dinner time precludes the conclusion of your journey.

A thin glass barrier encircles the hole and prevents the visitor from falling into the abyss and, presumably, ending up in an unknown land.

“The Big Dig” is designed as the emerging point of your trans-national travel. More than a hole in a two dimensional surface, the installation is a suctioned chasm, where space is curved and stressed. Existing site features, such as nearby trees, were untouched, reinforcing the conceit that you’ve just surfaced into an arcadian garden. A discrete audio system plays recorded sounds from the other side of the world—“cows from the pampas of Argentinas, commuters rushing among transit through New York City, the maritime life of Stockholm, and layers of history so audible among the streets of Berlin”—transporting visitors far from China to Western Europe or South America.

Topotek1’s installation at the 2011 Xi’an International Horticultural Exposition presents the question, “what if we did dig a tunnel to the other side of the world.”

Source: Architizer Blog

Phase II of the High Line Now Open!

Cool benches under one of the many futuristic silver buildings which have popped up recently in West Chelsea.

The anticipation of the second section of the High Line has more in common with that of summer blockbusters than urban renewal projects. With two million visitors last year, the elevated park has garnered praise usually reserved for Manhattan’s original icons. The park was even featured in an episode of “Family Guy” late last year, featuring a Sketch-up like rendering of the hunkering Standard Hotel straddling the elevated walkway whose terminus disappears in a wash of low rise brick buildings.

Due to its overwhelming popularity and appeal, the park has, as some have pointed out, become more than a dynamic urban project — it’s become a brand, and one with remarkable influence in shaping the future of Manhattan’s real estate and elsewhere.

Aerial View, from West 30th Street, looking West toward the Empire State Building. ©Iwan Baan, 2011

Phase II of the High Line keeps all of the original features of the elevated promenade that flipped the Olmstedian park on its head, while introducing some new baubles, including a wide glass screen framing traffic criss-crossing 26^th street below and a “cut-out” view of the deck’s substratum, where the trademark concrete planks are stripped away to reveal the platform’s substructure.

There’s also the “flyover” (above), a catwalk ascending above the main path into a “shady canopy of sumac and magnolia trees, allowing an undulating terrain of shadowy groundcover to fill in below”—a narrative apparently warranting donors’ name—and what will probably be the park’s most welcomed addition, a long, unobstructed lawn for lounging or picnicking.

Philip A. and Lisa Maria Falcone Flyover, aerial evening view at West 26th Street, looking South. ©Iwan Baan, 2011

But more has changed since the opening of the first section of the High Line. The architecture looming over the sides of the park has grown increasingly flashy, with starchitects and others being called in to furnish silver-screen backdrops to the spectacle. Of course, Gehry’s IAC building is nearby, accompanied last year by Jean Nouvel; further along, Neil Denari’s HL23 glistens like some Jetson-age aluminum bombshell. And Renzo Piano is set to make his mark at the foot of the High Line’s main entrance with typically ascetic designs for the new extension of the Whitney Museum.

The rapid production of such marketable architectural clout, along with the openings of countless art galleries, chic eateries, and high-end shopping have attributed to the construction of the High Line Effect. The dream is that this gleaming model of gentrification can be reproduced ad absurdum, given the tangentially right conditions, the involvement of fashionable architects, and, the most important ingredient, the procuring of salvageable decaying urban infrastructure. Cities far and wide, from Chicago to Philadelphia, Jerusalem to Rotterdam, have expressed interest in building their own elevated parks, going so far as to contacting Field Operations to consider plans (no doubt, willfully derivative) for their respective cities.

The original conception of the High Line project surely holds the most promise and the most applicable lesson to all venturing cities and urbanizing areas, that is, untapping the potential hidden within the obsolescent and the forgotten made possible through the tireless efforts of a stubbornly committed group of people dedicated to preserving and improving their city.

A ribbon of grass lawn just above 23rd Street

Source and more photos:  Architizer

High Line Website

The Better Way to Know if a Building Is Green

An exhibit at the American Institute of Architects headquarters shows off the LEED for Neighborhood Development rating system

The architecture firm Farr Associates, the Chicago Architecture Foundation, and the U.S. Green Building Council have produced a fantastic exhibit on how to create green neighborhoods. It opened in Chicago last year and is now on display at the American Institute of Architects headquarters in Washington.

This carries some symbolism. When it comes to sustainable communities, the architecture profession has been both hero and villain. It has been a hero because many of the early (and continuing) leaders of smart growth and sustainability in our built environment have been architects, from William McDonough to Peter Calthorpe, from Andres Duany to David Dixon. Frankly, in my opinion, architects were way ahead of the environmental community in forging solutions to sprawl. And it’s a good thing that they were, because they gave us environmentalists something positive to advocate.

Continue with article via The Atlantic

Winners of the 2011 Skyscraper Competition

eVolo magazine has run a tidy little competition for the last five years, inviting architects to innovative new skyscraper typologies. Today, the winners of the 2011 Skyscraper Competition were announced and we’ve got a recycling wind turbine, an energy- and water-harvesting horizontal tower, and a re-imagining of the Hoover Dam.

Jury members included SOFTlab principals Jose Gonzalez and Michael Svizos, architecture critic John Hill, Mitchell Joachim of Terreform One, CarloMaria Ciampoli of Live Architecture Network, and a host of other working and teaching architects (see the full list here).

FIRST PLACE: ‘LO2P Recycling Skyscraper’ by Atelier CMJN (Julien Combes, Gaël Brulé)

“The idea behind this skyscraper is to recycle the old cars and use them as building material for the new structure. The building is designed as a giant lung that would clean New Delhi’s air through a series of large-scale greenhouses that serve as filters. Another set of rotating filters capture the suspended particles in the air while the waste heat and carbon dioxide from the recycling center are used to grow plants that in turn produce bio-fuels.”

“The idea behind this skyscraper is to recycle the old cars and use them as building material for the new structure. The building is designed as a giant lung that would clean New Delhi’s air through a series of large-scale greenhouses that serve as filters. Another set of rotating filters capture the suspended particles in the air while the waste heat and carbon dioxide from the recycling center are used to grow plants that in turn produce bio-fuels.”

SECOND PLACE: ‘Flat Tower’ by Yoann Mescam, Paul-Eric Schirr-Bonnans, and Xavier Schirr-Bonnans

Imagined for medium-size cities where vertical skyscrapers do not fit the skyline, the flat tower is a “new high-density typology that deviates from the traditional skyscraper. The medium-height dome structure is perforated with cell-like skylights that provide direct sunlight to the agricultural fields and to the interior spaces. The dome’s large surface area is perfect to harvest solar energy and rainwater collection.”

THIRD PLACE: ‘Reimagining the Hoover Dam’ by Yheu-Shen Chua, United Kingdom

This project merges the programs at the current Hoover Dam — viewing platform, a bridge, and a gallery – into a “single vertical super structure.”

There a long list of honorable mentions, and we’ve highlighted below some especial favorites (clockwise from top left):

‘Sports Tower’ by Sergiy Prokofyev and Olga Prokofyeva, Ukraine

‘RE:pH Coastscraper’ by Gary Kellett, United Kingdom

‘White Cloud Skyscraper‘ by Adrian Vincent Kumar and Yun Kong Sung, New Zealand

‘Seeds of Life Skyscraper’ by Mekano (Osama Mohamed Elghannam, Karim Mohamed Elnabawy, Mohamed Ahmed Khamis, Nesma Mohamed Abobakr), Egypt

‘Waste Collector Skyscraper’ by Agata Sander and Tomek Kujawski, Poland

‘Hopetel: Transitional High-Rise Housing’ by Asaf Dali, United States

Via Architizer.com

SOM commissioned for FTP City in Danang

Skidmore, Owings & Merrill, LLP (SOM) has been awarded the masterplan commission for FTP City in Danang, Vietnam. SOM’s preliminary plan for a sustainable new high-tech community at the edge of the city has been applauded by local authorities, including the Head of Planning and the People’s Committee of the City of Danang. SOM is now working closely with these authorities to finalise the project’s design and ensure its delivery.

The plan has been commissioned by FPT, an up-and-coming national IT and telecommunications company with over 10,000 employees. Covering an area of over 180 hectares, the plan incorporates a wide range of uses organised into a series of distinct districts, including a Town Centre, a Business District, and a series of residential neighbourhoods. The plan also incorporates a new University Campus for FPT University – specialising in information technology, software development and e-services. The campus will also contain a research institute and training centre for FPT employees, allowing new technology to be developed further and put directly into practice.

SOM’s concept is formed on key principles to reduce energy needs and carbon emissions by promoting best practices in mixed-use development in an emerging local context of luxury resorts and single-use residential communities. Instead, FPT City will promote a diverse living community with integrated local services accessed via sheltered and shaded walkable streets. In addition to a web of natural greenways, the plan also incorporates a wide network of smart infrastructure. As a major national IT provider, FPT will ensure the delivery of state-of-the-art communications and information technology to every business and household in the community.

The design also brings to life part of a strategic regional river corridor initiative to be implemented between Danang and Hoi An, a national tourist destination, by establishing a new riverfront eco-park. The waterfront park engages a large existing lake at the river’s edge and will be designed to restore, protect and enhance the wildlife habitat along its entire length and around the lake’s perimeter.

Via World News Architecture